2/1/2024 0 Comments Cinesync reddit![]() ![]() Had a look at some pre-built solutions out there a while ago but they were a bit too closed/inflexible at the time for some of our workflows without consistent and active support/development. Something I'm diving deeper into learning. Sending the artist a Remote-managed NAS to mirror work directories - Pretty good for passively keeping the team in sync, but harder to scale as for each artist you this comes with an upfront equipment cost, configuration, delivery time, and some more advanced admin requirements. ![]() Aspera Files sync (not to be confused with Aspera Packages) - Kill it with fire.VPN - Fine for reference and smaller files but too slow for any work to be done.But I'd like to avoid this when things get busy as it increases the IO workload, chews up resources, and the version control can get messy when iterating shared assets rapidly. The default, and simplest set up on paper, Essentially treating them as an independent vendor. To kick things off, here are a few workflows I've tried out over on some shows the past couple of years where we have had remote artists (usually providing their own hardware and software): Is there some magical, easy to deploy, secure, scaleable, and cost-effective solution I haven't come across? normal, I'd like to hear about and discuss what other production/client (non-vendor) side VFX offices have doing to manage an in-house team with remote workers that would otherwise be directly connected to a shared asset/shot server in the office.Īre you just setting up individual IO lines to the artists individually and copping the extra workload, investing in RDP options and software licenses to keep things simple and secure, employing pipeline TDs and higher-end infrastructure options, going full/integrated cloud, or using a check-out version control system like perforce? What's working best for larger teams? I'm currently in early planning to go into pre-through-post on a show. Foundry - Learn (Tutorials for Foundry products (Nuke, Mari, Katana.).CGSociety (8 week courses focussing on key areas of VFX and digital art).Plural Sight(Formally 'Digital Tutors').FXPHD (Higher end VFX training with full access to software via VPN).(Training for all software! Free with most (all?) North American library cards).Some other VFX related subreddits you may enjoy. r/Allegorithmic (Substance Painter / Designer).Some other software specific subreddits that may be of interest. etc)įor Live VFX chat, try the Discord Server here Read a full list of new features in cineSync 4.1.VFX for industry pros, students, and hobbyists! Video clips, articles, news, and tutorials for fans and people in the visual effects industry.Ĭhris Mayne's vfx resource document available here (Job openings, Internships, Upcoming Events. The software is available on a rental-only basis, with basic accounts starting at $99/month for two users, and Pro accounts starting at $319/month for two users. You can find a full list of changes via the link at the foot of the story.ĬineSync 4.1.5 is available now for Windows 7 and above, Linux and Mac OS X 10.10 and above. Other than that, the changes are mainly bugfixes and, in the case of users with Pro accounts, improved integration with Shotgun and ftrack. Handles can be set on a per-playlist or per-file basis to automate the removal of slates.įile sequences can be extended or re-ordered at any time, with any notes applied to shots in the sequence still exporting back to production-tracking tools like Shotgun or ftrack against the correct shot version. The main new feature this time round is file sequence playback, which makes it possible to play back multiple clips as a continuous sequence, letting users view a shot in the context of those surrounding it. New in cineSync 4.1.5: file sequence playback Notes can then be exported in PDF format to circulate to artists working on a project. It runs on all major operating systems, supports high-definition, high-frame-rate video, and comes with a set of built-in tools for drawing annotations directly onto the image. The software enables users on opposite sides of the world – for example, a director and the VFX facility, or staff at individual studios within a company – to watch work-in-progress shots in sync. Since its release in 2005, cineSync has become the visual effects industry’s go-to solution for remote shot review and approval, in use at studios including ILM and Sony Pictures Imageworks. The update was released at Siggraph 2018, but we didn’t get to it at the time amid the other show news.Īn industry-standard solution for remote shot review and approval Cospective has released cineSync 4.1.5, the latest update its remote shot review and approval tool, adding the option to play back multiple clips as a single continuous file sequence.
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